How budget and CGI allowed Alfonso Cuarón to reinvent the filmgoing experience.
With Gravity, Alfonso Cuarón finds a perfect setting in which to utilize his love of sweeping camera movements and long takes. Harry Potter and the Prisoner of Azkaban (2004), with it’s otherworldly rules, gave Cuarón a chance to stretch his wings a bit. When Harry hops on his broomstick and hurdles into the air, you can tell the director is enjoying the freedom of green screen and budgeting that allow him to lift off the ground. In Children of Men (2006), Cuarón once again favored camera fluidity, emphasizing the vast amounts of rubbled space in a childless future. The technique also creates a feeling of continuous action, providing an alternative to the rapid editing techniques over-used in action films. Here, harnessing a jaw-dropping environment unlike any other, he lets his instincts run wild. Read the rest of this entry »