I ended my last post by saying that commercial cinema is failing women. Allow me to reiterate: As it exists now, the film industry is a betting game, and studios just don’t seem to be banking on women in creative roles, despite the fact that we still make up about half of the audience. Why not? There are many reasons. However, in my last post I argued the disparity may have something to do with attributing so much of a film’s worth to just one individual. In an ideal world, this recognition wouldn’t hold anyone back. But when producers need to make a return on investment, it may be pure sexism that guides their decision to fund one project over another.
In a now roughly 4-year-old article, the often contentious (I mean that as a compliment) Manohla Dargis bemoaned the lack of women in the industry. In the article, she notes how a box office failure doesn’t necessarily spell out the end for a male director. But for a woman, it can potentially wreck a career. Studios appear to be more forgiving to male directors – male auteurs, rather – who have a vision. However, the Hollywood machine doesn’t grant visionary women the same benefit of the doubt. Read the rest of this entry »