Review – Clouds of Sils Maria (dir. Olivier Assayas, 2014)
Throughout his career, Olivier Assayas has invoked conversations about art and its relationship to life, whether that means art’s association with love, commerce, or even revolution. Sometimes art is the main source of conversation, sometimes it’s just a thread, but it’s always there. In Summer Hours, a designer comes to terms with creating artifacts for money rather than good taste; In Irma Vep, an aging director struggles to take on the problem of adapting the classic film serial Les Vampires in late 20th century France; In Late August, Early September, a writer determines whether he should take a job that pays a living wage or do the work he really believes in.