Texas Chainsaw Massacre and the formation of genre rules
As I was watching Texas Chainsaw Massacre (1974) for the first time, it reminded me of Wes Craven’s Last House on the Left (1972). What is ominous about both these movies is how intimate the terrorized victims become with their killers. Subsequently, the viewer also becomes familiar with them. This differs dramatically from a film like Halloween (1978), where Michael Myers/the Shape terrifies because he is an entity of pure evil, remaining unseen until it’s too late.